![]() It stores a true/false value, indicating whether this was the first time Hotjar saw this user. This is set by Hotjar to identify a new user’s first session. The data collected including the number visitors, the source where they have come from, and the pages visted in an anonymous form. The cookie is used to store information of how visitors use a website and helps in creating an analytics report of how the website is doing. This cookie is installed by Google Analytics. This cookie is used by Google Analytics to understand user interaction with the website. It appears to be a variation of the _gat cookie which is used to limit the amount of data recorded by Google on high traffic volume websites. This is a pattern type cookie set by Google Analytics, where the pattern element on the name contains the unique identity number of the account or website it relates to. This cookie is set by Google and is used to distinguish users. The cookies store information anonymously and assign a randomly generated number to identify unique visitors. The cookie is used to calculate visitor, session, campaign data and keep track of site usage for the site's analytics report. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. The cookie stores the language code of the last browsed page.Īnalytical cookies are used to understand how visitors interact with the website. This cookie is set by Polylang plugin for WordPress powered websites. This cookie is used to recognize the visitors using live chat at different times inorder to optimize the chat-box functionality. It is used to distinguish different users using live chat at different times that is to reconnect the last agent with whom the customer had chatted. This cookie is necessary to enable the website live chat-box function. It is used to reconnect the customer with the last agent with whom the customer had chatted. This cookie is used to enable the website live chat-box function. This cookie is used for the website live chat box to function properly. This is an essential cookie for the website live chat box to function properly. The cookie is used for security purposes.įunctional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features. The cookie is set by Wix website building platform on Wix website. ![]() The cookie helps WooCommerce determine when cart contents/data changes. The cookie is a session cookies and is deleted when all the browser windows are closed. The cookie is used to store and identify a users' unique session ID for the purpose of managing user session on the website. This cookie is native to PHP applications. General purpose platform session cookies that are used to maintain users' state across page requests. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is used to store the user consent for the cookies in the category "Other. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". This cookie is used to enable payment on the website without storing any patment information on a server. This cookie is set by Stripe payment gateway. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
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![]() Hassanalian M, Throneberry G, Ali M, Ben Ayed S, Abdelkefi A (2017) Role of wing color and seasonal changes in ambient temperature and solar irradiation on predicted flight efficiency of the albatross. Shaffer SA, Weimerskirch H, Costa DP (2001) Functional significance of sexual dimorphism in wandering albatrosses, diomedea exulans. ![]() Jouventin P, Weimerskirch H (1990) Satellite tracking of wandering albatrosses. Leaser J (2008) On the Wings of the Albatross. Sanchez, G, Salazar RD, Hassanalian M et al (2018) Sizing and performance analysis of albatross-inspired tilt-wing unmanned air vehicle: AIAA Zhaowei L, Zhongxi H, Juntao Z (2014) The very flexible aircrafts and albatross flight: 29th Congress of the international council of the aeronautical sciences Stempeck A, Hassanalian M, Abdelkefi A (2018) “Aerodynamic performance of albatross-inspired wing shape for marine unmanned air vehicles”, In 2018 aviation technology, integration, and operations conference, p 3899 Wilson JA (1975) Sweeping flight and soaring by albatrosses. US Department of Defense: Unmanned Aircraft Systems Road Map 2005–2030 (2005), p. Compared with the bionic wing without optimization and the rectangular wing, the lift-drag ratio increases by 5.71 and 7.87%, respectively. When the Angle of attack is 7 degrees, the lift coefficient, drag coefficient and lift-drag ratio of the bionic wing with optimization are 0.667, 0.025 and 26.768, respectively. The results show that the bionic wing with optimization has excellent lift-drag characteristics. Vortex Lattice Method and 3D-Panel were used for aerodynamic calculation under the same flight conditions to obtain the relationship between the lift coefficient, drag coefficient, lift-drag ratio of the wings and the Angle of attack, as well as the wing pressure, lift, viscosity and induced drag distribution, respectively. The bionic wings with and without optimization were compared with the flat wings with the same wingspan, wing area and wing type. Considering the individual size differences of wandering albatross and the wing deformation during dynamic flying, the Genetic Algorithm(GA) and Vortex Lattice Method(VLM) were used to optimize the size parameters of wing shape with the lift-drag ratio as the optimization objective. In order to further study the aerodynamic performance of albatross wings, this paper extracts the mathematical model of bionic wing according to the shape parameters of a wandering albatross, and selects GOE 174 airfoil as the airfoil of bionic wing by 2D aerodynamic analysis, and finally designs and establishes the three-dimensional model of bionic wing. In studies of nature, it has been found that albatrosses can travel thousands of miles over the sea, with little flapping of their wings, because of their lift-and-drag properties. 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Also included with HitFilm Pro 2017: Ignite is available on its own or included with HitFilm Pro 2017.All major hosts: Adobe After Effects, Adobe Premiere, Apple Final Cut Pro X, Apple Motion, Sony Catalyst, Blackmagic Design DaVinci Resolve, The Foundry NUKE, Grass Valley EDIUS, Avid Media Composer and Vegas Pro 14.Colorist’s toolkit: Expand your color correction and grading potential.Advanced effects inside your chosen editor: The Ignite plugins transform editors like Premiere Pro CC and Final Cut Pro X, turning them into powerful visual effects toolkits.Light flares: The ultimate lens flare collection with streaks, highlights, leaks, artificial lens dirt and anamorphic artifacts. ![]()
![]() Ernest Hemingway writing style tip #1: Use one syllable words more often than not. How to write like Ernest Hemingway.īeing that I write primarily about marketing and copywriting, I will be mostly exploring Ernest Hemingway’s writing style in how it pertains to… yes, you guessed it… marketing and copywriting.īut, please know, I believe studying Hemingway can make all of us better writers and communicators… and believe the observations I share in this article could be valuable to most everyone. There are a number of elements in Hemingway’s style that can and should be modeled. While no application or magic potion will help you develop the level of skill Hemingway had with the pen, it doesn’t mean we can’t learn a thing or two from the reigning king of twentieth-century American Literature. 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This book looks at the Internet from a sordid and entertaining perspective. Overall, Live at the El Mocambo is a great DVD, for viewing and listening, and should be considered by anyone who enjoys Stevie's music, or blues-rock in general. There are a few humorous antictdotes on Stevie, though. It is somewhat informative, and is nice to watch every once in awhile, but it really isn't anything too special. Built by Master Builder Ron Thorn (who is a Toronto native), the Telecaster and Stratocaster feature bodies made from 300-year-old Easters White Pine sourced from the. However, there is an interview with Tommy Shannon and Christ Layton. The El Mocambo has been the site of countless legendary recordings such as The Rolling Stones’ Love You Live and Stevie Ray Vaughan & Double Trouble’s Live At The El Mocambo. There is the standard, yet redundant and pointless Discography, and Photo selections, that I never even bother with. There really aren't too many extras on the DVD. Stevie makes good, subtle use of the tremolo bar, and also pulls of some rather tasteful licks and solos. "Lenny," an instrumental named after Stevie's wife, is a sad, jazz-influenced song and is absolutely beautiful. It has a fantastic groove, but it is still a rather pop-blues love song. "Hug You Squeeze You" was never recorded on any studio album, but I think that it should have been. "Texas Flood" is the true highlight, with Stevie burning through the whole song with astonishing might, while Double Trouble holds the fort down. "Pride and Joy" boogies on, with Stevie ripping through some rather nice blues-based solos, while still retaining it as a great song. The covers, though, are not the best songs on the DVD. The performance mainly consists of song from Texas Flood, and some new covers ("So Excited," "Voodoo Chile (Slight Return)" "Third Stone From the Sun," and "Wham!"). ![]() You also get a good amount of footage of Double Trouble, but the focuse is still on Stevie throughout. Stevie's guitar playing doesn't overpower Tommy Shannon's bass playing or Chris Layton's drumming, which is very modest in volume, compaired to some 80s drummers. Would this be due to the fact taht Canadians are more reserved and calmer? Seriously, I don't really know. You get a healthy dose of screen shots of the audience, who seem to be enjoying the show very much, but are also modest. This is probably due to the fact that the club was rather small. ![]() Stevie Ray Vaughan and Double Trouble burn it up at the El Mocambo. ![]() With Chris Layton, Tommy Shannon, Stevie Ray Vaughan. It has a rather vintage look to it, as it was filmed in 1983, and resonates a very warm, intimate feel. Live at the El Mocambo: Stevie Ray Vaughan and Double Trouble: Directed by Dennis Saunders. The production aspects of Live at the El Mocambo are absolutely flawless. Texas Flood, their first album, had been praised by critics and fans, and Stevie was starting to be recognized as the next guitarist in blues and rock music. At the time, 1983, Stevie Ray Vaughan and Double Trouble's career was just starting to take off. Live at the El Mocambo was recorded and filmed at the El Mocambo in Toronto, Canada. Winning battles also earns Skill Points, or SP, that you can spend to have your party members learn new skills and abilities or increase stats. Between different elements and weaknesses, as well as status effects and debuffs, keeping track of everything can get pretty overwhelming. There are also negative ones like poison, stun, and confusion. There are positive ones like Regen (HP recovery every turn), Courage (attack strength increase), and Spirit (magic strength increase). The battle system also has a huge load of status effects. It’s a nice feature that adds some nuance to the battle system, but it doesn’t necessarily make the fights flow all that much smoother as opposed to something like Persona’s One More mechanic. You can also skip a party member’s turn to add to the pool of FP available, but with the caveat that the one unit of FP will disappear when that member’s next turn comes around. Here, spending FP allows you to power up a single move’s effectiveness, like increasing the damage of a spell. Except in that game, BP is used to allow a unit to perform consecutive actions in a given turn. It works somewhat similarly to Bravely Default’s BP mechanic. The twist here is that if you hit an enemy’s elemental weakness, you can gain Focus Points, or FP. ![]() However, you can definitely notice the amateurish quality of the voice acting and it seems like this game is probably many of the actors’ first notable gig.Īstria Ascending draws a lot of inspiration from classic JRPGs, and that’s reflected most in its battle system. They aren’t the typical swath of voice actors you’d hear in most JRPGs these days. It’s a shame because the English voice cast for Astria Ascending has a lot of new talent and names I don’t recognize. English dubbing has gotten substantially better over the past decade, and it was incredibly jarring to hear how bad it was here. The Japanese voice track, on the other hand, sounds pretty decent in comparison. Cutscenes are so awkward because it feels like none of the characters are actually “speaking” to each other-the conversations don’t flow well. All of the lines in the poorly dry script are delivered flatly. What makes things even worse is that the English voice acting is some of the most painfully average that I’ve heard in a very long time. But it doesn’t change the fact that the characters are so unlikable. There are loads of side quests and backstories that help expand on the world building and members of the main cast’s history up to becoming Demi-Gods, which is appreciated. Some of them even mock Eko, spouting ideas like Peyskas are stupid or they’re untrustworthy.Īnd I’m supposed to believe that these eight chosen Demi-Gods are supposed to save the world? There’s no real sense of camaraderie between them, and they’re all introduced at the beginning of the game in a sort of rapid fire, speed-dating style. However, even the main cast is weirdly racist towards each other. Early on in the game, an unfortunate event befalls the Peyskas and Eko is rightfully upset about it. One of the Demi-Gods, Eko, is a member of a race of fish-like people called Peyskas. Racism is also a big theme in the game, but it doesn’t handle it very well. The game throws so many proper nouns at players, like “Harmony” and “Chaos” and “Dissonance” it’s all too much at once and implemented like they’re from some generic JRPG 101 textbook. There are some interesting concepts and themes like rebellion and free will, but the story ends up being incredibly boring. ![]() The Demi-Gods gain immense power and abilities to fight off antagonistic beings called the Noise, but in exchange are only given three more years to live before another group comes along and does the same thing. In order to keep the pact of peace, Orcanon’s races eat Harmelons, which suppress certain abilities. Manage cookie settings What is Going on in Orcanon?Īstria Ascending takes place in Orcanon, where a group of eight chosen individuals called Demi-Gods protect Harmony, which is some sort of peace agreement between the different races in the game. ![]() To see this content please enable targeting cookies. Unfortunately, a captivating artstyle can’t save what a sloggy experience the game is. The colors are crisp and the backgrounds look sharp. The 2D art invokes familiarity with Vanillaware titles like Odin Sphere or Dragon’s Crown. In an age where more and more games, especially Japanese RPGs are going full 3D, having a different look can help a game stand out amongst a crowd. On the surface, Astria Ascending intrigued me with its wonderful hand drawn artstyle. Now it's back with a new adventure, Astria Ascending. The studio’s first project was Super Neptunia RPG, a 2D entry in the Neptunia franchise. Artisan Studio is a French and Canadian developer that specializes in 2D RPG games. ![]() The -r option sets the song to the default volume of 89.0 dB, and the -d option adjusts the dB level above or below that. If you want to tweak the volume by, say, 2 dB, you’d use: According to MP3Gain author Glen Sawyer, the default volume is 89.0 dB. To manually tweak the gain, you can use the -d option to modify the dB gain by a floating-point number above or below the default volume. If you want to ignore the clipping warnings altogether, use the -c option. I’ve also noticed that the utility will warn of clipping far more frequently than clipping actually occurs, so feel free to take the clipping warnings with a grain of salt and adjust a bit past what MP3Gain considers safe. It trends toward dropping the overall gain on albums rather than upping the gain on the albums I find too quiet. So far, I’ve found MP3Gain to be somewhat conservative about adjusting the volume. I strongly recommend working on copies until you have got the settings you want, as I have managed to mess up a few MP3s while experimenting. That should reverse the changes by MP3Gain and return the file to its original state. If you’re not happy with the changes made by MP3Gain, just run mp3gain -u file.mp3. name *mp3 -exec mp3gain -a -k ĭepending on the size of your music collection, this may take some time. If you’re happy with MP3Gain’s adjustments, you could run it against your entire music collection using something like this:įind. If they sound good, then try a couple more. Now, pop the songs into your MP3 player again and give ’em a listen. To do this, run mp3gain -a -k *mp3 on the album, or mp3gain -r -k *mp3 for a single song. Make sure to listen to a bit of the songs with your favorite audio player so you can compare before and after.įor the first test, you might want to let MP3Gain try to automagically adjust the gain based on its analysis of the songs’ volume. I started with Concrete Blonde’s Bloodletting, which seemed to be a bit faint volume-wise when compared to other alternative rock albums. Once the software is installed, pick an album or song that’s a bit quiet compared to the rest of your collection and copy it to a directory where you can experiment. Then run make and make install to install the mp3gain command-line utility. Make an mp3gain directory, copy the zipfile to that directory, and unzip the source there. If not, grab the source from the download page. ![]() Your favorite distro may have a package for MP3Gain Ubuntu users, for example, can just run sudo apt-get install mp3gain to install MP3Gain. ![]() All MP3Gain does is tweak the file’s metadata to tell your MP3 player “turn this one up,” or “crank it down,” in an effort to achieve a consistent volume between songs and albums. The last thing you want to do after you’ve taken the time to encode several hundred CDs is to have to go back and do it again. MP3Gain does not re-encode the files or make any irreversible changes to your MP3’s audio data. Then, after analyzing the file, it can save information to the MP3’s metadata in the APEv2 format to Analysis and Undo tags about its analysis, and adjust the MP3’s gain setting directly so that the track is louder or softer. One way to iron out the differences is to use MP3Gain to adjust your MP3s to have the the same volume.Īccording to the MP3Gain site and documentation, MP3Gain does an analysis of each MP3 and tries to figure out how loud it sounds to the human ear. ![]() This difference carries over when you rip the CD to MP3, and can be really annoying when you’re going from song to song on your MP3 playlists on your computer or portable music player. Two CDs of the same genre, when played on the same CD player, at the same volume, can have drastically different playback volume. If you listen to music on CD much, you’ll notice that some CDs sound much louder than others, and I’m not talking about Ministry’s The Mind is a Terrible Thing to Taste versus Sarah McLachlan’s Touch. ![]() Perhaps the best part of Prestige class is that these amenities also come with a dedicated, attentive concierge, able to assist you with your every need. Travelers have the option of upgrading to Prestige class, Sleeper Plus class, or Economy class for overnight accommodations onboard the Canadian, with all classes featuring the impeccable service that VIA Rail is known for. The most luxurious accommodation onboard the Canadian is found in the Prestige class sleeper car, where private, radiant-heated rooms feature a comfortable double bed, en-suite bathroom and shower, large picture window, flat-screen TV, and all-inclusive meal and bar service. The journey has been hailed as the most comprehensive portrait of the country’s fascinating geographic diversity, and as such, is beloved by both first-timers and train aficionados alike. Glide through the boreal forests of Northern Ontario, experience the vast expanse of the prairie grasslands, and climb the majestic, snow-capped Canadian Rockies before the train comes to its final stop in vibrant, coastal Vancouver. So whether you travel on VIA Rail’s classic trans-continental train, the Canadian, from Toronto to Winnipeg, Edmonton, Jasper and Vancouver the inter-city trains between Toronto, Montréal and Québec or the Oceanfrom Montréal to Halifax, you’ll experience fresh, chef-prepared meals and comfortable, relaxing amenities with spectacular views throughout! From Toronto, VIA Rail’s iconic train, the Canadian, takes riders on a magical, five-day, four-night, 2,775-mile journey across four time zones and five provinces. VIA Rail, Canada's national train network, operates 494 trains per week in eight Canadian provinces over a network of 7,800 miles of track. And whether it's your first time taking an overnight train across Canada or you're a seasoned pro, these tips will help make the experience even better! Get a Room From the relaxed, friendly pace onboard to the pristine wilderness outside your window, traversing Canada along the tracks is truly a unique, once-in-a-lifetime experience. ![]() There's nothing quite like taking the train across the vast, wild expanse that is Canada. ![]() I CORINTHIANS 4:10 We are fools for Christ's sake. Access the answers to any three clues in today's puzzle by touch-tone phone at 1-900-884- CLUE for 0.95 per minute. Add this page to your bookmark of favorite list for quick access to New York Times puzzles. He's the only thing that matters…the only thing that will last." With that in mind, is there anything Jesus Christ could ask that is "beneath you?" 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